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Integration Map — Sprint 7

SlotOwner repoStatus
fxpg-dsp-fxdesign · signal-path✓ live
amppg-dsp-fxdesign WASMPortableFX
+ ML NAM (legacy path)		✓ live
reverbAIGS dattorro worklet✓ live
cabAIGS IR set + cabGainNode✓ live
tone-guidelinereactor-tone-agent-service◌ reserved
Tone service: …
Active DSP: —
Loading DSP…
AUDIO-REACTIVE HERO awaiting playback
FX
200 Hz
+8 dB
1.0
REVERB
0%
FENDER TWIN SPARKLE Blackface clean headroom + reverb spring +0 dB
AMP HEAD
0 dB
0%
0 dB
0 dB
0 dB
0 dB
CAB
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Tone Intelligence

"clean fender blackface, bright and open" Keyword analysis
Semantic reasoning chain
①
Scene / Context
Clean Fender Blackface evokes the pristine recording studio aesthetic of 1960s professional guitar culture — chiming, articulate, transparent. It's the sound of session jazz, studio legends, and the foundational clean tone from which all rock variations spring. Open, uncolored, responsive to player dynamics. Bright and open suggests the bright switch engaged, extended treble presence, and the spacious reverb tank character.
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②
Music Attributes
Energy
6/10
neutralbrightexpansive spacemedium tempo
ref: Fender Twin Reverb / Bassman '59
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③
Amp Strategy
Three interpretations of Blackface clean: studio-focused minimal saturation with treble presence, warm vintage with sag and dynamic compression, bright articulate with extended presence peak.
Concept → Music bridge
Concept translation
Prompt conceptMusic termRationale
clean minimal saturation, high headroom, low bias Blackface topology emphasizes transparency — single-stage or progressive two-stage soft saturation with bias ≤0.03
Fender bright cap, passive tonestack, tube sag, presence peak Fender's signature: HF lift at low levels, mid-scoop compensation via EQ, dynamic compression from envelope-driven sag
blackface low bias (0.01-0.03), treble emphasis, presence peak 3-4kHz Blackface-era design prioritizes definition and presence over warmth; minimal even-harmonic coloration
bright and open elevated treble, minimal bass, HPF 250Hz, extended presence Literal bright switch behavior (HPF removes mud) + open-back cabinet response + spring reverb characteristics
3 generated amps — sound design
1971 Fender Twin Reverb (NAM) 1st choice ★ LLM pick Recommended
Both channels, clean to edge-of-breakup — country/jazz cleans, the canonical Fender chime. 3,631 downloads.
Real amp capture: 1971 Fender Twin Reverb. Modeled by DahmanMusic.
DSP Knowhow
EQ
highshelf @ 4kHz +1.5dB — air / sparkle
Cab
1×12 + SM57 — open, airy, studio-warm response
Reverb
OFF
Algorithm
tone3000-fender-twin.nam
DSP Knowhow
EQ
lowshelf @ 200Hz 0dB — tight low-end control
Cab
null
Reverb
10% wet
Algorithm
LLM DSP — Auto-generated WPF v2 adapter wrapping pg-dsp-fxdesign/brian-may-bohemian-rhapsody
Design
Generated DSP profile.
DSP Knowhow
EQ
lowshelf @ 200Hz 0dB — tight low-end control
Cab
null
Reverb
10% wet
Algorithm
LLM DSP — Auto-generated WPF v2 adapter wrapping pg-dsp-fxdesign/jack-white-octave-bass
Design
Generated DSP profile.
Mesa Mk3 HiGain (NAM) 4th choice score: 600
Tight, scooped, surgical high-gain — palm-mute snap, low-end thunder
Real amp capture: Mesa/Boogie Mark III — HiGain channel. Modeled by (unknown).
Mesa Mk3 HiGain is a modern hi-gain metal amp — fundamentally incompatible with clean Fender Blackface character. Not suitable for this prompt. Included to illustrate the contrast between hi-gain and clean tone target.
hi-gainaggressive
DSP Knowhow
EQ
peaking @ 800Hz -2.5dB — tight low-end
Cab
4×12 + SM57 — tight low-mid, punchy projection
Reverb
OFF
Algorithm
mesa-mk3-higain.nam
Darkglass Clean (NAM ref) 5th choice score: 600
Test capture — flat clean DI-style baseline. Useful as a 'no-amp-character' reference vs the Plexi/Mesa.
Real amp capture: Darkglass Microtubes 900 v2 (clean channel). Modeled by Steve (sdatkinson test model).
Darkglass WaveNet is a bass amp reference with flat, transparent character; lacks guitar-specific voice and clean Fender identity. Misaligned with prompt; demonstrates why bass-origin NAMs cannot substitute for guitar clean tones.
transparentflat
DSP Knowhow
EQ
lowshelf @ 200Hz +0.5dB — bass warmth / body
Cab
1×12 + SM57 — open, airy, studio-warm response
Reverb
OFF
Algorithm
darkglass-wavenet.nam
Darkglass Clean LSTM (NAM ref) 6th choice score: 600
LSTM-arch test capture (smaller, faster than WaveNet). For architecture A/B testing.
Real amp capture: Darkglass Microtubes 900 v2 (clean channel). Modeled by Steve (sdatkinson test model).
Darkglass LSTM is architectural variant of WaveNet bass reference with same transparent, non-guitar character. Unsuitable for clean Fender Blackface prompt; included for architecture comparison rather than tone match.
transparentexperimental
DSP Knowhow
EQ
lowshelf @ 200Hz +0.5dB — bass warmth / body
Cab
1×12 + SM57 — open, airy, studio-warm response
Reverb
OFF
Algorithm
darkglass-lstm.nam
DSP Knowhow
EQ
highshelf @ 5kHz +3dB — air / sparkle
Cab
1×12 + SM57 — open, airy, studio-warm response
Reverb
25% wet
Algorithm
LLM DSP — Single-stage soft saturation with DC block, presence peak, and treble-shaped lowpass
Design
The Blackface clean character requires minimal saturation onset to preserve dynamics. A simple tanh saturator with low bias (0.012) adds minimal harmonic color. Headroom controls the clipping threshold for dynamic response. The presence parameter boosts energy at 4kHz for studio articulation. Air extends or tames treble presence above 8kHz. Makeup gain ensures output reaches 0.7–1.0 peak for typical 0.3-peak guitar input.
DSP Knowhow
EQ
peaking @ 1kHz +2dB — presence / attack
Cab
4×12 + SM57 — tight low-mid, punchy projection
Reverb
26% wet
Algorithm
LLM DSP — Two-stage progressive tanh saturation with envelope-driven sag and dynamic compression
Design
Emulates the Fender Twin's two-stage behavior where stage 2 activates only at higher drive levels. Warmth controls stage 2 activation threshold and bias amount, making it progressively assertive. Bloom parameter controls sag depth — a leaky envelope follower tracks the input signal and reduces the supply voltage proportionally, creating natural compression and sustain. Voice provides midrange presence for definition. All three parameters modulate the saturation and dynamics to achieve vintage responsiveness.
DSP Knowhow
EQ
peaking @ 3.5kHz +6dB — air / definition
Cab
4×12 + SM57 — tight low-mid, punchy projection
Reverb
24% wet
Algorithm
LLM DSP — Bright-switch high-pass + presence peak + soft saturation with minimal bias + clarity lift
Design
Captures the Blackface bright switch behavior: a 250Hz high-pass filter removes mud, a presence peak at 3.5kHz provides the classic chime articulation, and a soft saturation with minimal bias (0.008) preserves transient clarity. Bite controls both treble pre-emphasis and saturation drive for responsive dynamics. Snap boosts the presence peak for cutting through a mix. Clarity lifts the midrange at 1.5kHz. All three parameters shape the final tone while maintaining definition and articulation.
DSP Knowhow
EQ
peaking @ 1.5kHz +2.5dB — presence / attack
Cab
4×12 + SM57 — tight low-mid, punchy projection
Reverb
10% wet
Algorithm
DSP Amp Type 1 — mid-gain crunch, immediate signal
DSP Knowhow
EQ
highshelf @ 5kHz +1.5dB — air / sparkle
Cab
1×12 + SM57 — open, airy, studio-warm response
Reverb
10% wet
Algorithm
Fender Twin (DSP) — clean/warm, 1–2s warmup
DSP Knowhow
EQ
lowshelf @ 200Hz 0dB — tight low-end control
Cab
null
Reverb
10% wet
Algorithm
LLM DSP — Auto-generated WPF v2 adapter wrapping pg-dsp-fxdesign/guitar-amp
Design
Generated DSP profile.